Jean Sorel,Marisa Mell,Elsa Martinelli, John Ireland, Alberto De Mendoza, George Riguad, Faith Domergu, Jean Sobiesky, Riccardo Cucciola
Lucio Fulci's 'Zombie Quartet' may well have won him a place in horror's 'Hall Of Fame', but it's the giallo branch of his career that contains his best work. Sublime thrillers such as Don't Torture A Duckling (1972), A Lizard In A Woman's Skin (1971) and Seven Notes In Black (aka The Psychic - 1977) have now made the leap from VHS to DVD/DVD, offering greatly improved clarity: all the better to display their twisted webs of malice and murder.Una Sull' altra was Fulci's first giallo: an impressive declaration of future intent which, while lacking the violence of his later efforts, is guaranteed to keep you on the edge of your seat as its delicious plot unravels.Brothers Geroge and Henry Dumurrier (Sorel & De Martino) run a private clinic where the former makes false claims about the practice in order to generate publicity. Away from the clinic, George leaves his sick wife, Susan (Mell), to be cared for by her sister (Domergu) while he conducts an affair with Martha (Martinelli), the wife of a business contact. When George receives a call informing him of Susan's death, his shock is only matched by the subsequent discovery of an insurance policy that will make him some $2 million richer.During a visit to a nightclub, George and Martha are transfixed by a gorgeous blonde named Monica Weston (Mell) who bears a striking resemblance to his late wife. While George pursues the enigmatic Monica, word reaches him that traces of poison have been found in Susan's body. Death by natural causes has now become murder, and George is the only suspect. As the police and the insurance company strive to discover the truth, George must uncover the real identity of his new lover and trace the whereabouts of the elusive woman who can prove his innocence.To the uninitiated, a brief synopsis of this film will likely suggest standard insurance scam, with a pretty blonde thrown in to liven up proceedings as and when necessary. Yes, there are elements of the screenplay that inevitably produce sparks of recognition and Mell is
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